During this time, Pohlmann has disassembled the Tour de France into its individual parts to capture and understand the essence of the tour. Through the photographic image we can better understand the unique and unending fascination with the fusion of nature and sport visible to Pohlmann and the beholder. 

 _ a r e n a bows at once before the beloved spectator and the towering landscape. As a photographer, Pohlmann seeks to make visible with his work what remains hidden from the individual viewer.

Taking the vantage of a distant observer, he paints the stories in their thousands through the richness of detail: the waiting, the joy, the contrast between nature and the bands hugging the roadside, the endless lines of camper vans standing as if in the pause of a great train migration. But it is the mountains themselves that, when transformed by the event Tour de France, exert an eternal attraction. Despite modern convenien weakness of a rider, and paying back personally, and with suffering, an unjust tribute.